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CREEDENCE CLEARWATER REVIVAL Original 1969 FULL CONCERT TICKET__Fillmore W__EX

$ 79.19

Availability: 100 in stock
  • Country of Manufacture: United States
  • Condition: EX
  • Original/Reproduction: Original
  • Modified Item: No
  • Format: TICKET
  • All returns accepted: ReturnsNotAccepted

    Description

    Here's an
    authentic
    CREDENCE CLEARWATER REVIVAL
    ticket,
    August 11th, 1969 at the Fillmore West.
    I'm running out of these CCR tickets and am listing my last 2 now.  This particular ticket was re-used by Bill Graham, something he did on many occasions.  It was re-used from a May 22nd show for a benefit concert.  He just had the box office stamp the back indicating this was a benefit show for the Haight-Ashbury Medical Clinic.
    Very little wear, just a very slight impression going across the middle and slight paper clip mark on the right edge, middle area.
    Also performing that night were the Northern California State Youth Choir and Bangor Flying Circus
    .  The artist for this ticket/poster showing the doomed Titanic is Randy Tuten.
    Purchase with confidence, I deal
    only
    in original vintage items guaranteed authentic.
    FILLMORE WEST
    T
    his was from the period
    i
    n the late 60's and 70's
    when
    Bill Graham owned and operated the F
    illmore and Winterland
    venues in SF.  He
    decided to have his
    own promotional posters
    designed to promote
    the co
    ncerts.  F
    irst, he would choo
    se
    an artist
    to draw a
    nd print a poster
    custom
    ized
    for each individual
    show
    .  The
    tickets
    were just a reduced
    facsimile
    of the posters and then typically color-coded to indicate multi
    ple
    night engagements.
    Back then,
    t
    he Fillmore West and Winterland
    were very busy
    venues that
    constantly held
    extended engagements by then
    curre
    nt and popula
    r
    performers.
    This was p
    ro
    bably
    due to being located in SF, w
    hich
    became the focal point for psychedelic
    music
    and
    countercultu
    re
    in genera
    l
    .  San Francisco was the ultimate
    city for rock concerts and
    Bill was
    both a promoter and own
    er of
    the venues where they could play.
    So that
    he
    could reconcile sales each night, patrons purchased tickets at the venue box office and handed them right back over at the door, thus most ending up in the archive in EX or NM- condition.  T
    oday the original F
    illmore
    San Francisco
    still
    operates
    with Live Nation
    having been leas
    ing
    it
    and it is also expand
    ing
    the Fillmore 'bran
    d' by naming other
    venues it owns or leases around the coun
    try in cities such as M
    i
    ami, Phili, Denver, Detroit
    , DC & NYC.